The Long Good-Bye Man
by Porter Fox
Fielding Dawson’s abstract expressionist writing style came from his training with legendary painters like Franz Kline and Philip Guston.
FULL TEXT
Homelessness Begins at Home
by Samantha Topol
With a taxidermied coyote for a PR director and the membership department in the freezer, HoMu is not your average arts organization.
The Family Albums of Ralph Eugene Meatyard
by Theodore McDermott
Meatyard took the average family snapshot, put a freakish mask on it, and then set it in front of a decaying Southern mansion.
Ten Contemporary Artists
selected by Jenelle Porter
Each one underrecognized, female, and ineffably awesome.
Castle Nowhere
by Jen Graves
The world’s most isolated art museum didn’t want its portrait made, but this summer, across the gorge, it had a feisty, translucent double.
Matthew Barney
interviewed by Brandon Stosuy
Talking with a sculptor primarily working in Vaseline, football stadiums, hardcore bands, film, Celtic islands, and Norman Mailer.
FULL TEXT
Vito Acconci
in conversation with Shelley Jackson
Chronicling the natural progression from poet to performance artist to installation artist to working architect.
Steven Heller
in conversation with Susan Choi
A collection — and interrogation — of artifacts from the “golden age” of pictorial racism.
