Shadow of a Doubt
The way things are now
Julie Hecht’s work has been described as “subversive,” “devastating,” and “neurotic.” While those words are certainly accurate, they don’t begin to suggest the singularity of the writer or her career. After publishing two stories in Harper’s in the late 1970s (winning the O. Henry Prize for the second), she didn’t publish any work for a full decade. Then, in 1989, her unusual story “Perfect Vision” was accepted by the New Yorker. Over the course of the next nine years, the New Yorker published ten of her stories.
After her editor at the New Yorker, Daniel Menaker, moved to Random House, he collected her stories in the acclaimed 1997 book Do the Windows Open? The next year, she was awarded a Guggenheim Fellowship.
In 2001, Random House released Was This Man a Genius?: Talks with Andy Kaufman, taken from a book-length profile Ms. Hecht had written in 1979. Originally intended for Harper’s, the manuscript sat in a drawer for years before being excerpted in the New Yorker and later printed as a book.
Julie Hecht’s first published novel, The Unprofessionals, was sort of released in 2003. Midway through the publishing process, she followed her longtime editor as he left a stint at HarperCollins and returned to Random House, where he took over as editor in chief. Though it was slated to be its lead -literary fiction title for the fall, The Unprofessionals was lost in a corporate shuffle and fell victim to major distribution problems. It could only be found in a few bookstores across the country. As a result of the error and the immediate fallout, Ms. Hecht split with both her agent and her editor, and The Unprofessionals received almost no exposure. It disappeared in spite of overwhelmingly positive reviews and being named a notable book by Publishers Weekly and the New York Times.
Her fourth book, Happy Trails to You, is a collection of short stories set to be released by Simon & Schuster in May of 2008. Simon & Schuster will also release a paperback edition of The Unprofessionals in late summer of this year.
Ms. Hecht and I began communicating at the beginning of 2007. Because she rarely uses email, we communicated mainly by telephone. She has given fewer than four interviews in her life.
THE BELIEVER: How do you explain your work to people?
JULIE HECHT: I don’t explain my work to anyone. Writers write. They edit their work many times. They don’t have to explain it.
BLVR: If you meet someone and they say, “What kind of books do you write?” what do you say?
JH: I say as little as possible. I say that I write stories. And if they say, “What are they about?” and if I’m forced to be polite, I say: “They’re about the way things are now.”
Some people say, “I know what you mean.” Others don’t know what I’m talking about. Of course, they would never read a book or a story, or even part of one. Most people don’t think of reading anymore. When you say you’re a writer they try to show interest, but you can see they have no interest. Not just in my writing. Any writing.
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