Classified Report from “The Secret Clubhouse”
by Morgan Meis
Building a fort can teach you about shape and form and function and interaction. And if it doesn’t, you still have a fort, which is nice.
Clerks of Passage
by Abou Farman
Why can’t civilization sit still for its passport photo?
FULL TEXT
The Paralyzed Cyclops
by Lawrence Weschler
A decades-long argument between David Hockney and Robert Irwin, artists who’ve never met, and whose core concerns are nearly identical.
A Perfunctory Affair
by Chris Cobb
A report by one of the thirteen professional artists hired to install Sol Lewitt’s last, and biggest, exhibition of his career.
Dyveke Sanne
interviewed by Miranda F. Mellis
The artist built a prismatic, fiber-optically glowing facade on the entrance to the Global Seed Vault on a remote Norwegian island.
Frank Stella
interviewed by Sheila Heti
A conversation with a major American artist at 11 in the morning at the Toronto fitness center where his work was being shown.
Lynda Barry
interviewed by Hillary Chute
A career-spanning discussion with the author of sixteen brilliant books, from experimental autobiographies to Xeroxed jokes about cacti.
FULL TEXT
Robyn O’Neil
interviewed by Hillery Hugg
“Making mechanical-pencil drawings that are of this scale is completely ridiculous.”
Keith Knight
interviewed by Chris Lanier
The cartoonist for
Salon,
MAD, and countless syndicated dailies describes the life he continually plunders for his strips.
