In Brian Francis Slattery’s second novel, the collapse of the dollar has led to a slavery-based society run by the new boss of Manhattan, a man known as the Aardvark. Facing off against the Aardvark is Marco Angelo Oliviera, a kind of killer’s killer whose stealthy-fast methods seem almost superhuman. Marco is a member of the Slick Six, a scattered and diminished gang of international criminals. Escaping a prison ship, Marco decides to re-form the Slick Six, resulting in a trek from New York to North Carolina, then to Louisiana and on through to California. In addition to tracking down his fellow Slick Sixers, Marco encounters, among others, the New Sioux (a group of Native Americans hell-bent on avenging injustices) and the Americoids (a group of hippie nomads led by Doctor San Diego). He and his cohorts also march deep into his own past, and the country’s past, aided by a psychic emanation called “the Vibe.”

If you think this sounds like Thomas Pynchon or John Calvin Batchelor territory, you would be correct. Slattery’s approach walks a tightrope between absurdism and a kind of accentuated Byzantine realism.

—Jeff VanderMeer