The Process

In Which An Artist Discusses Making A Particular Work

Kati Heck, Entfuhrung der Mutter mit Hase

Kati Heck was born in 1979 in Dusseldorf and lives in Antwerp with her husband. Though her work encompasses sculptural installation, short film, and photography, she is best known for her large-scale paintings, which hover between the cartoonish and the realistic. There is often a playful, brutish, humorous, grotesque quality to her work. Currently she is preparing for a solo museum exhibition that will appear at the Centro de Arte Contemporáneo in Málaga, Spain, in 2013. We spoke over Skype several times.

—Makeal Flammini

THE BELIEVER: What is happening in this painting?

KATI HECK: This painting involves two evenings and an afternoon. It begins with my friend Jürgen calling to say, “It’s time to pick up the magic mushrooms.” So he, my husband, and two others went to collect them. If you look, you can see in the top left corner there is a drawing of a bus and the four people who went to pick up the mushrooms. I like to give the viewer small things to discover when they come closer to the painting. When they returned they were all so proud, they said they had found the Mother Mushroom, the mushroom that carries twenty times the psychedelic power of all the others. It was really pretty, a green-blue color and quite huge. We were all so impressed. So I hid all of the mushrooms for later.

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Makeal Flammini is an artist, illustrator, and writer. She is the cofounder of the mobile arts organization the Parachute Project, based in Milwaukee. On her blog, makealcflammini.blogspot.com, she conducts a regular series of interviews titled the Peanut Gallery.

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